We use a Macintosh computer for music sharing. The application we have come to rely on is called Acquisition. It’s a great, user-friendly music sharing program exclusive to the Macintosh platform. It allows you to download and upload concurrently, and provides helpful ratings to ensure that you are sharing with a reliable peer.
Acquisition is highly compatible with ITunes. We have been able to organize and play hours of music for parties by collaborating between Acquisition and ITunes. The combined technology of these two programs is incredible and so easy to use, that even our kids have learned how to search and locate music of their choice.
If we are trying to locate a particularly elusive music file, we also have come to depend on a bit torrent client called Azureus. Azureus is more than a music sharing program however; you can share all sorts of files. However, while Azureus can often allow us to access more obscure titles, Acquisition is still our first choice as a music sharing program due to its ease of use, quicker upload and download times and minimal steps required to acquire music files.
One of the best things about Acquisition is that it can be used free of charge got an extended period of time. You do have to tolerate occasional pesky nag messages, however, this does little to interfere with the overall process, and is a small annoyance when you consider how great a program Acquisition really is.
The other great thing is that almost all files have been pre-verified. That means that most times you will be able to acquire the actual title you have selected. Nasty surprises are very rare. Also, the benefit of working on a Macintosh computer is that the chances of getting an infected file are much lower, since most viruses are created to attack PC computers. Since macs aren’t as mainstream, they aren’t as plagued with viruses. Just another benefit that we’ve found with use.
In the past, we have tried a few other music sharing programs including Napster, Limewire and Kazaa, however since switching our file sharing usage to our Macintosh we have come to rely on Acquisition, as well as, Azureus from time to time. We’ve found that in order to maximize our download times and access to files, the best thing to do is to enable or allow file sharing amongst peers. Of course, this is not an absolute requirement, but you may be viewed as a ‘freeloader’ if you only take from other users, but never allow sharing of your files with others.
Another thing to keep in mind, depending on where you live, is that sharing of music files is a grey area. Meaning that there is a lot of controversy over where to draw the line when it comes to copyright infringements. If you want to err on the side of caution, your best bet is to only download music files that you actually own the rights to – in other words, you need to own the album. The only purpose this serves is to give you an MP3 version of a song, rather than only a CD version. Whether this holds value to you or not, is up to you to decide.
When you are thinking about how to use your interest and talent in music for a professional purpose, you will find that there are many different options open to you. One of the most attractive jobs that you might be interested in is that of film score composer, but how is this job that you are going to get? As you might suspect, this is a position that pays extremely well and is amazing resume builder if you can get it; there are many things that make this job extremely attractive, but what you do you need to know to see if it is something that you are capable of doing?
In the first place, you need to know the genre. Composing for film is much different than composing for any other genre of music, though it has some correspondence to orchestral composition. When you are looking to break into the industry, you will find that you need to listen to what other people are doing and learn what you can. John Williams, Danny Elfman, Hans Zimmer, Thomas Newman and Danny Elfman have routinely pulled down many of the major scores over the years, and getting accustomed to their work is something that any aspiring film score composer should do.
You should also be aware of the fact that you are going to be working from a storyboard version of the film or from a first cut of the film. With that in mind, you will need to figure out what moments are going to call for musical highlights and what sort of emotions the score needs to help the movie evoke. Although the score is something that is a part of the background, it is a very important tool when it comes to making sure that the people who are watching the film get the right idea.
When you are writing music for a film, always remember that you should write more music than is called for. Assume that the scenes will run the longest that they can run and never shortchange a scene when it comes the music. To get some experience with this, you will find that working with aspiring film students can help. Offer to do scores for them, or try rewriting the scores for movies that you are familiar with.
Remember that a rock solid background in music composition at the university level is extremely important as well. Listen and learn and remember that this is a position that takes a great deal of work!
Within the musical community, there is a debate about the value of music theory that will probably never end. Is it important to study music theory scales, or is it much better to just dive into the music and experience it viscerally. The proponents of learning the theory regarded it as an essential part of knowing how to play music. You can learn by trial and error, they say, but you would do much better to benefit from the knowledge of other people. Not learning music theory when you play music is like refusing to learn arithmetic when you are studying math.
The other side, however, has just a strong of an argument. They claim that music theory worksheets are stifling. The point of music, they argue, is creativity. You should dive into it and experience it viscerally. Learning the theory of music too early on can stifle the imagination. Although it is alright to learn music theory chords later on, it is much less important than having some experience actually playing music.
I used to be on the latter site, but I have recently switched opinions. You see, I learned music without music theory. I didn’t even know music colors theory, much less the more formal and rigorous stuff. To me, you see, playing music was almost a physical experience. I could feel the sounds and textures around me. I didn’t really need someone telling me what the structures meant. I could tell what they meant with my entire soul.
As I have matured as a musician, however, I have seen the use and the need for music theory. I have even begun to use music theory worksheets, and I hope to understand it pretty thoroughly within the next couple years. You see, the most important thing about theory is that it gives you a good vocabulary to talk about music.
I believe that you can learn to play anything without music theory. What you can not do, however, is to talk to other people about it. If you don’t know the names of the chords, the different scales and progressions, and the rhythmic patterns that define various forms of music, how can you tell other musicians what you want? Learning about music is almost as important as learning language if you really want to collaborate with other people. Without it, it is very difficult to express yourself and ask people for what you want. Why make life difficult?