Think back to the time when your interest in playing guitar was born. Remember the time when you got your first guitar and actually started playing it. For most of us, even when we were totally beginners, clueless about how to play anything, it somehow didn’t matter because we were just so excited about beginning our musical/guitar journey. I can remember the exact day I bought my first guitar (January 31, 1986). I was extremely excited about owning a guitar and banging around on it making all kinds of terrible noises at first.

That feeling most of us felt at the beginning of our guitar days is what I call “Fire” or “Inner Fire”. It is something like the first weeks and months of a new romantic relationship – very new and exciting and the desire to maintain that passion feeling is strong. But over time (weeks, months or years), that passion to play music weakens. Of course you still have at least some interest in playing and becoming a better musician, otherwise you wouldn’t be reading this.

What I hope to do here is help you to get back your fire (or if you still have it, I want to help you to never lose it). The most important thing you must do is recognize what the factors were that caused you to feel less motivated and excited about playing music. Over time, some players begin to feel inadequate in their ability to reach their goals. A more common factor for some is not really having clearly defined goals or a good strategy to reach them. Its important to remember long term goals are LONG term. As long as you work to move forward, you are progressing. If progress is slow, understand this is normal. Of course there are things you can do to dramatically speed this process up such as practice more, practice more efficiently and work with a really good teacher that can show you how to do improve faster.) Other people become too focused on getting better and lose sight of why they started playing (to play and/or create music they love!). Keep reminding yourself of why you wanted to be a musician in the first place. Besides simply thinking about your early playing experiences, go back to your roots and listen to the same CDs (or cassettes or LPs (if you are old enough to have any of those). Listening to my earliest influences always reminds me of my early music days and I just can’t help to feel that eager beginner feeling again.

I’ve mentioned some of these next few points before in a previous article, but it’s worth mentioning again here.

Find out what truly inspires you to want to play music, write music, jam with your friends, etc. Whatever it is for you, go there and marinate in that inspiration. Get your mind in that place and focus on it. Many classical composers (and other serious artists) go to artist colonies for weeks or months at a time. For them being in a beautiful environment with serious artists of all kinds is extremely inspiring and a great place to write music, practice, reflect among other things. Personally, I like to travel to Europe in the summer and do most of my serious composing there. There is a house I stay in overlooking a valley with large trees and beautiful sunsets. It is very inspiring and I always do my best creating there. Your inspiration may be musical (listening to some great players, bands or songs. It may be going to concerts. It may be a set of things that are totally nonmusical (like a special location or being around special people, etc.). You must find whatever it is and go there, you might be surprised at how fast you feel that burning desire to really play more, write more, to be more.

NEVER EVER compare yourself to other musicians! If you sit around and think about how much better of a player you are compared to your friends, this will probably only lead you to contentment and will steal away your drive and fire to improve. If you think about how much your friend (or any other musician) is better musically compared to you, this often leads to feelings of dissolution about your progress and your goals, which also can lead to a lack of motivation and fire.

When you began playing guitar, how good would you have to be in order to be happy with your playing? And where are you now? When I was starting out, I thought if I could play Iron Maiden or Metallica songs, I would be happy for rest of my musical life! Of course the time came when I could play all those songs, but I didn’t feel as happy as I thought I would when I first made my goal. That is because, before I even reached that goal, I had already set new goals. These new goals were good for my progress, but I made the mistake of never really appreciating and enjoying the success of reaching my earlier goals. I robbed myself of the pleasure of feeling happy about my hard work paying off. Of course by now I have learned that lesson and do thoroughly enjoy each new goal that is reached. It is my hope you will learn that lesson now and not after several more years of playing guitar.

Almost everybody likes music, but not many people ask why. Even less people believe that the music is a kind of acoustic code of our physiology.

Actually, it is very easy to answer this question and to know that music is indeed a kind of acoustic code of physiology, if we can spare some time to think it over by means of our very common sense.

Origin

As a kind of symbiotic animal, we have to communicate in order to coordinate the activity of our symbiotic group so that we can survive.

Just watch the happy baby “singing” lying in the bed or cradle for a moment. Then, the mother, the closest symbiotic member, can believe instinctively that everything is going well with her baby according to his or her physiological instincts.

On the other hand, when the baby is crying in the bed, there must be something wrong with his or her physiological functions.

Therefore, obviously music is a tool of communication between members in a symbiotic group.

The three kinds of basic structural bricks of music are apparently the vibration of vocal cord (also the basis of stringed and wind instrument), the beating of heart (percussion instruments and beat), and the period of breathing (section).

The variation of length and tone color of these three bricks in conformity with the variation of our physiological functions, are used instinctively to express our feeling or physiology in order to communicate to our symbiotic members of different degree of cohesion.

That is why everybody can understand music innately without learning or translation.

Invalid Music

Since music can make us happy, it, just like happiness, can be classified into valid and invalid ones according to the optimal point of 10,000-years-ago norm. (Ref. #1,2)

As in the cases of delicious junk food, smoking, marijuana, which control our physiology by chemicals, we are facing a problem of fascinating invalid music which waste us much time and money and let our own physiology controlled by the artificially acoustic code of physiology made by others. (Ref. 2-6)

Such as indulging in:

• Folk songs too long time or singing star chasing,
• Too much complicated symphony,
• Decadent music,
• …

Conclusion

Do not let our physiology be controlled by others’ music. It will hurt us.

Within the musical community, there is a debate about the value of music theory that will probably never end. Is it important to study music theory scales, or is it much better to just dive into the music and experience it viscerally. The proponents of learning the theory regarded it as an essential part of knowing how to play music. You can learn by trial and error, they say, but you would do much better to benefit from the knowledge of other people. Not learning music theory when you play music is like refusing to learn arithmetic when you are studying math.

The other side, however, has just a strong of an argument. They claim that music theory worksheets are stifling. The point of music, they argue, is creativity. You should dive into it and experience it viscerally. Learning the theory of music too early on can stifle the imagination. Although it is alright to learn music theory chords later on, it is much less important than having some experience actually playing music.

I used to be on the latter site, but I have recently switched opinions. You see, I learned music without music theory. I didn’t even know music colors theory, much less the more formal and rigorous stuff. To me, you see, playing music was almost a physical experience. I could feel the sounds and textures around me. I didn’t really need someone telling me what the structures meant. I could tell what they meant with my entire soul.

As I have matured as a musician, however, I have seen the use and the need  for music theory. I have even begun to use music theory worksheets, and I hope to understand it pretty thoroughly within the next couple years. You see, the most important thing about theory is that it gives you a good vocabulary to talk about music.

I believe that you can learn to play anything without music theory. What you can not do, however, is to talk to other people about it. If you don’t know the names of the chords, the different scales and progressions, and the rhythmic patterns that define various forms of music, how can you tell other musicians what you want? Learning about music is almost as important as learning language if you really want to collaborate with other people. Without it, it is very difficult to express yourself and ask people for what you want. Why make life difficult?